Bobak

Tradition: Polish Mythology
Alternative Names: Bobak, Bobaki
Category: Demon


The Myth

Bobak is a demonic creature found in several forms in Slavic folklore. In some traditions, it is a bogeyman of unspecified appearance, while in others it can take the form of a white dog or a cat.

In southeastern Łódź, Bobak was associated with the odmieniec, a demonic changeling believed to be a human child replaced by the demoness Boginka-Mamuna. Unlike an ordinary child, the demonic child was quiet, barely moved, and showed no appetite while other members of the household were present.

When left alone in the house, however, the Bobak became voracious and was also fond of alcohol. If the demonic child survived into adulthood, it was said to become disabled and distrustful of people, although this was uncommon because Bobaks generally died during infancy.

In the Wieluń region, Bobaks were instead described as mischievous dwarves. In the region of Kutno, they were believed to be small devils or demonic children.


Sources

“Bobak (Slavic demon).” Wikipedia: The Free Encyclopedia. Wikimedia Foundation. Accessed September 10, 2026. https://en.wikipedia.org/wiki/Bobak_(Slavic_demon)


Błędnica

Tradition: Polish Mythology
Alternative Names: Błędnica
Category: Demon


The Myth

Błędnica is a forest demoness who appears most often as a young and beautiful girl. She inhabits the forest and leads people astray, causing them to become lost deep among the trees.

Those who fall under Błędnica’s influence are led farther and farther into the forest until they are completely lost. The demoness then abandons them in the wilderness, where they may eventually die from starvation or be eaten by wild animals.

Błędnica could be driven away through powerful spells or by making a sacrifice. Such offerings could be made at home or during a hunt in an attempt to protect people from the demoness.


Sources

“Błędnica (Slavic demoness).” Wikipedia: The Free Encyclopedia. Wikimedia Foundation. Accessed September 10, 2026. https://en.wikipedia.org/wiki/B%C5%82%C4%99dnica_(Slavic_demoness)


Bies

Tradition: Bosnian mythology, Croatian Mythology, Russian Mythology, Ukranian Mythology, Polish Mythology
Alternative Names: Bies, Bes, Bijes, Bisy, Chort, Czort
Category: Demon


The Myth

Bies is an evil spirit or demon in Slavic mythology. The word bies is associated with an evil supernatural being and, following the Christianization of Slavic peoples, became closely identified with the Devil and with the demon known as Chort or Czort.

In Christian-influenced tradition, Bies came to represent the Devil or other demonic beings. The plural biesy was used in Russian translations of the New Testament for the devils that possessed the swine in the Gospel of Mark. Related Slavic words also developed meanings associated with madness and uncontrolled behavior. In Slovenian, Croatian, and Serbian, the related forms bes and bijes mean “rage” or “fury.”

A separate being called bès is found among the Jah Hut people of Malaysia. These bès are dangerous spirits inhabiting the jungle. They can attack people and cause illness through spirit possession.

The Jah Hut can attempt to tame and contain a bès by carving a small wooden figure called a sepili, representing the particular spirit causing trouble. If the spirit approves of the figure, it may enter it, allowing the people to trap the spirit inside through a special ritual. The sepili must then be taken far away from the village because the bès may become angry when it eventually escapes. Traditionally, the figures were buried deep in the jungle.


Sources

“Bies.” Wikipedia: The Free Encyclopedia. Wikimedia Foundation. Accessed September 10, 2026. https://en.wikipedia.org/wiki/Bies


Jikininki

Tradition: Japanese mythology
Alternative Names: Jikininki, Human-Eating Demon
Category: Demon


The Myth

Jikininki is a man-eating demon that feeds upon human corpses and the offerings placed before them. It appears in the story “Jikininki” associated with Lafcadio Hearn’s Kwaidan.

Long ago, Musō Kokushi, the Rinzai Zen monk Musō Soseki, was traveling through Mino Province. As evening approached, he became lost in the mountains and discovered an old hermitage on a hill. He asked the old monk who appeared to live there for lodging, but the monk curtly refused him and instead directed him toward a village in the valley.

Musō traveled to the village and was warmly welcomed into the house of the village headman. He was given a meal in an outbuilding and went to sleep.

Late that night, the young man who had welcomed him came to his room and explained that the village headman had actually died shortly before Musō arrived. The young man was his son. Now that the funeral was over, he intended to leave the village for another settlement, according to the custom that everyone must leave the village on the night of a death. Strange things were believed to happen in houses where a corpse was left alone, and those who violated the custom were said to suffer great misfortune.

Musō was grateful for the hospitality he had received and decided to remain alone in the house until morning so that he could mourn the dead village headman. His words reassured the young man and the villagers, who thanked him before leaving.

Musō sat before the corpse, reciting Buddhist sutras and meditating while he waited for dawn. As the night grew deeper, an unknown creature entered the room. At the same moment, Musō became completely paralyzed and was unable to move.

The creature approached the corpse and devoured everything. It consumed the flesh, bones, and hair of the dead man, then ate the burial shroud and even the offerings that had been placed before the body. After consuming everything, it left the house.

The next morning, the villagers returned. Musō told them about the terrible creature that had entered during the night and devoured the corpse. The villagers recognized it as the same kind of being described in their old stories.

Musō then asked whether the monk living in the hermitage on the hill ever performed funerals for the villagers. The villagers looked at him in confusion. They told him that there was no hermitage on the hill and that they knew of no monk living there. No monk had settled in the area for a very long time.

Musō left the village and returned to the hill to discover the truth. He found the hermitage without difficulty. The old monk welcomed him inside, bowed respectfully, and confessed that Musō had seen him the previous night swallowing the corpse and devouring the offerings.

The monk revealed that he had once been the only monk living in the area. Because of this, the villagers depended upon him whenever someone died and needed Buddhist funeral rites. He became constantly occupied with funerals, and his religious devotion gradually disappeared. Eventually, he began performing Buddhist services merely to obtain food, clothing, and shelter.

After his death, the monk was reborn in the realm of hungry ghosts as a man-eating demon. From then onward, he became a wretched creature that survived by devouring the corpses of the dead in the surrounding area.

The demon begged Musō to perform a Buddhist memorial service for him and save him through prayer. As he pleaded, both the demon and the hermitage suddenly vanished. Musō found himself sitting alone among the tall weeds. Beside him stood only a moss-covered five-tiered pagoda, which appeared to mark the monk’s grave.


Sources

Takahashi, Toshihiro. “食人鬼 [じきにんき] (Jikininki).” 新版TYZ 妖怪図鑑 (New TYZ Yokai Encyclopedia). May 7, 2016. https://tyz-yokai.blog.jp/archives/1056923784.html


Arae

Tradition: Greek mythology
Alternative Names: Arae, Arai (Αραί)
Category: Demon


The Myth

The Arae are female spirits of curses, particularly curses laid by the dead upon those responsible for their deaths. They are associated with the Underworld and are sometimes identified with the Erinyes, the Furies.

The Arae are described as powers residing beneath the earth. In the traditions preserved by Aeschylus, the Erinyes themselves say that they are the eternal children of Nyx (Night) and that they are called Arai, or Curses, in their dwelling beneath the earth.

Their curses are closely connected with bloodshed and vengeance. Blood spilled upon the earth demands further blood, and the Erinys arising from those who have been murdered brings destruction upon the guilty. The Arae therefore pursue the consequences of murder and wrongdoing, particularly within cursed families.

The House of Atreus is repeatedly associated with the Arae. Orestes calls upon the powerful Curses of the slain as he suffers the consequences of the violence within his family. Clytemnestra likewise addresses the Ara, the curse haunting the house of the Atreides, blaming it for taking away those she loves.

The curse is also connected with the downfall of Oedipus and his family. When his family is thrown into disorder, the Arae raise their piercing cry as the descendants of Oedipus are driven apart.

In the story of Eteocles and the Seven Against Thebes, Eteocles prays to Zeus, Earth, and the gods protecting Thebes, as well as to the Curse acting as the agent of his father’s vengeance. He begs that the Ara not destroy his city or its homes and hearths.

The Arae could also be invoked by those seeking vengeance for unjustly murdered people or those deprived of marriage. In the Electra tradition, Electra calls upon the powers of the Underworld, including Hermes Chthonios, the holy Ara, and the divine Erinyes, asking them to avenge the murder of her father.

The Arae thus represent curses arising from wrongdoing and bloodshed, particularly the vengeance of the dead against those responsible for their deaths.


Sources

“Arae.” Wikipedia: The Free Encyclopedia. Wikimedia Foundation. Accessed September 9, 2026. https://en.wikipedia.org/wiki/Arae


Karajishi Dōji

Tradition: Japanese mythology
Alternative Names: Karajishi Dōji, Chinese Lion Boy
Category: Demon, Lion


The Myth

Karajishi Dōji is the leader of the demons in the Edo-period picture book Saru no Yamairi Karajishi Dōji. In the story, the characters from the legend of Minamoto no Yorimitsu and his retainers defeating Shuten-dōji are replaced by animals, with Karajishi Dōji taking the role of Shuten-dōji, the leader of the demons.

The warriors who oppose him are represented by a monkey, corresponding to Minamoto no Yorimitsu, accompanied by four animal warriors: a dragon representing Watanabe no Tsuna, a horse representing Sakata Kintoki, a rat representing Usui Sadamitsu, and a rabbit representing Urabe Suetake. A lone boar represents Hirai Yasumasa.

The conflict begins at Rashōmon, where the dragon and rat confront a tiger representing Ibaraki Dōji. They succeed in cutting off the tiger’s arm, but the tiger and a sheep recover the severed arm and take it away.

The monkey and his companions pursue them into the mountains. Disguised as mountain ascetics, they reach the stronghold of Karajishi Dōji and are invited into his mansion. To gain the demon boy’s trust and lower his guard, the group performs a monkey show for him.

When the opportunity arises, the monkey and his companions launch their attack. With the assistance of Sannō Gongen, the guardian deity of Mount Hiei whose messengers are monkeys, they scatter Karajishi Dōji and his demonic followers, represented by the tiger, sheep, and dogs.


Sources

Takahashi, Toshihiro. “唐獅子童子 [からじしどうじ] (Karajishi Dōji).” 新版TYZ 妖怪図鑑 (New TYZ Yokai Encyclopedia). September 24, 2016. https://tyz-yokai.blog.jp/archives/1061255510.html


Tsunodaishi

Tradition: Japanese mythology
Alternative Names: Tsunodaishi, Horned Daishi, Gansan Daishi
Category: Demon


The Myth

Tsunodaishi is the demon-like form of Ryōgen, the eighteenth head of the Tendai Buddhist sect. He is depicted as a slender, horned, demonic figure and is believed to represent Gansan Daishi after transforming himself into a yaksha.

Ryōgen was a highly revered monk of the Heian period, and many legends and anecdotes developed around him. According to the legend of Tsunodaishi, Ryōgen became seriously ill and made a vow to ward off illness from himself and from other people. He transformed his appearance into that of a terrifying yaksha and saw this demonic form reflected in a mirror.

Ryōgen declared that wherever his image was placed, evil spirits would not enter and calamities would be driven away. His demonic image therefore became a protective charm against evil.

Images of the Great Master were subsequently placed on buildings throughout society, from the pillars of major temple gates to the doors of ordinary people’s thatched houses. The image was intended to protect those places from evil spirits and misfortune.

A similar account appears in the Inōshō, compiled by Gyōyo around the Bun’an era (1444–1449), indicating that images of the Great Master were already regarded as protective charms against evil at that time. However, that earlier account does not mention Ryōgen transforming into a yaksha.


Sources

Takahashi, Toshihiro. “角大師 [つのだいし] (Tsunodaishi).” 新版TYZ 妖怪図鑑 (New TYZ Yokai Encyclopedia). August 25, 2019. https://tyz-yokai.blog.jp/archives/1074589343.html


Oko-jōgo

Tradition: Japanese mythology
Alternative Names: Angry Drunkard
Category: Demon


The Myth

Oko-jōgo is a demon who becomes violently angry when drunk. He lived in a cave on a monstrous mountain to the northeast and was notorious for his enormous appetite and terrifying temper.

An old man named Sakubei was an exceptionally enthusiastic drinker. He invited anyone he encountered to drink with him, constantly saying, “Hey, let’s have a drink.” Because of his love of alcohol, people called him Orochi-jiisan, the Great Serpent Old Man.

Eventually, however, Sakubei accumulated a debt of 2 yen and 38 sen at his usual liquor store and could no longer obtain enough sake. When he tried to persuade the shopkeeper to give him more, arguing that there was no record of a great serpent ever bringing money, his efforts failed.

The village headman’s son then told Sakubei about a demon living in a cave on a mountain to the northeast. The demon loved sake and became extremely angry whenever it became drunk. It had promised to provide free sake to anyone who could retrieve both of its eyes.

Several people had already attempted to defeat the demon, but all had failed. Some fled in terror, while others were killed and eaten. Since humans became intoxicated more easily than the demon, they had little hope of overcoming it. The village headman’s son therefore suggested that Sakubei, whose drinking ability was supposedly unmatched, might be capable of obtaining the demon’s eyes.

Sakubei carried a large barrel of sake on his back and traveled into the mountains. When he reached the demon’s cave, he encouraged the demon to drink and joined it himself. The demon became increasingly intoxicated and boasted about its strength, declaring that when it drank sake it could smash rocks, kill horses and cows, and devour humans with ease.

The drunken demon then attempted to eat Sakubei. Sakubei narrowly escaped and suggested that they continue drinking on a mountaintop where they could enjoy a beautiful view, accompanied by rabbits and monkeys.

They eventually reached a lone pine tree. The demon was delighted by the scenery and continued drinking until the barrel was completely empty. Sakubei immediately climbed the pine tree and taunted the demon, telling it that it was merely a drunkard who could not even handle a little sake.

The demon became furious and attempted to climb the tree and tear Sakubei apart. However, it was so heavily intoxicated that it could not climb properly. It repeatedly climbed and fell, then climbed again as its rage grew. Its eyes gleamed as it stared upward at Sakubei.

Finally, as the demon glared up at him, both of its eyes suddenly popped out of their sockets. Sakubei quickly seized the eyeballs, bound the now-blind demon, and dragged it back to the village.

The demon’s eyes were placed on the festival float as a treasure of the village’s guardian shrine. The blind demon itself was spared and, out of pity, was made a guardian of the shrine.

Sakubei was praised for his achievement and given permission to drink as much sake as he wished. However, fearing that excessive drinking might cause him to suffer the same fate as the demon, he eventually stopped drinking, devoted himself to cultivating the fields, and became a wealthy man.


Sources

Takahashi, Toshihiro. “怒り上戸 [おこ‐じょうご] (Oko-jōgo).” 新版TYZ 妖怪図鑑 (New TYZ Yokai Encyclopedia). May 9, 2015. https://tyz-yokai.blog.jp/archives/1026352266.html


Shuten-dōji

Tradition: Japanese mythology
Alternative Names: Shuten-dōji, Shuten Doji
Category: Demon


The Myth

Shuten-dōji was a powerful demon king who lived on Mount Ōe near Kyoto during the reign of Emperor Ichijō. He appeared at first as a young boy, but his true form was that of a gigantic demon. He was particularly fond of sake and surrounded himself with demons and women whom he had kidnapped from Kyoto.

During the Shōryaku era, people of all social classes and both sexes began disappearing throughout and around the capital. When the court consulted the onmyōji Abe no Seimei, he determined that demons living on Mount Ōe were responsible.

The court first selected samurai to defeat the demons, but they declined the task. The order was therefore given to Minamoto no Yorimitsu, governor of Settsu Province, and Fujiwara no Yasumasa, governor of Tango Province. They prayed at shrines including Hachiman and Sumiyoshi for success before beginning their expedition.

Yorimitsu and Yasumasa were joined by four warriors: Watanabe no Tsuna, Sakata no Kintoki, Usui Sadamitsu, and Urabe no Suetake. Together they traveled toward Mount Ōe.

In the mountains they encountered four unfamiliar old men, who were actually incarnations of Hachiman and other gods. The gods advised the warriors to hide their armor and disguise themselves as mountain ascetics. They also gave them a sacred sake called Divine Transformation Demon Poison Sake.

Further into the mountains, the warriors encountered an old woman washing bloodstained clothing beside a stream. She explained that demons had kidnapped her more than two hundred years earlier. Although she had escaped being eaten, they had forced her to serve them as a laundress ever since. She described the mountains and showed the warriors where the demons’ castle was located.

She also described Shuten-dōji as a demon king who appeared in the form of a child, loved sake, and surrounded himself with women from Kyoto whom he had kidnapped.

Guided by the old woman, Yorimitsu and his companions reached the demon’s castle. Disguised as mountain ascetics, they claimed to be pilgrims and succeeded in gaining Shuten-dōji’s trust.

A great banquet was held. Shuten-dōji refused the sake offered by the disguised warriors, but eagerly drank the special sake given to them by the old man. His demon followers also drank it. As the feast continued, Shuten-dōji told the warriors about his life while his demonic followers entertained the gathering with dengaku and other performances.

While the banquet continued, Yorimitsu and his companions secretly explored the castle. They discovered a prison where the young lord of Mido Nyūdō and other kidnapped people were being held. They also found a terrible pile of corpses, revealing the fate of many of the demon’s victims.

Eventually the poisoned sake took effect. Shuten-dōji returned to his chambers, where beautiful women surrounded him. He revealed his enormous demonic form and fell asleep, weakened by the poison.

When the demons were asleep, Yorimitsu and his warriors launched their attack. They pinned down Shuten-dōji’s enormous body and cut off his head. Even after being severed, the demon’s head remained alive. It flew through the air screaming and attached itself to Yorimitsu’s helmet, refusing to release him.

Tsuna and Kintoki gouged out the demon’s eyes, and Shuten-dōji finally died.

After defeating the demon king, the warriors cremated his body and returned triumphantly to the capital, carrying his head in a palanquin. The head was presented to the regent and chancellor before being placed in the treasure house of Byōdō-in Temple.

Yorimitsu and Yasumasa were rewarded for their victory and appointed Great Generals of the Eastern and Western Barbarians respectively.

In other versions of the legend, Shuten-dōji’s dwelling is placed on Mount Ibuki in Ōmi Province. Other accounts also name powerful demon followers such as Ibaraki-dōji, Kumadōji, and Hoshikuma-dōji, as well as the Four Heavenly Kings who appear at Rashōmon.


Sources

Takahashi, Toshihiro. “酒呑童子 [しゅてんどうじ] (Shuten-dōji).” 新版TYZ 妖怪図鑑 (New TYZ Yokai Encyclopedia). August 3, 2013. https://tyz-yokai.blog.jp/archives/1010654411.html


Namahage

Tradition: Japanese mythology
Alternative Names: Namahage, Amahage, Amamehagi, Namomihagi, Appossha
Category: Demon


The Myth

Namahage are frightening, demon-like yōkai who live in the mountains along the northern coast of the Sea of Japan. They resemble oni, with bright red or blue skin, wild hair, large eyes, enormous mouths filled with sharp teeth, and often horns growing from their foreheads. They wear straw leggings and raincoats and carry large blades.

Once a year, during koshōgatsu, the first full moon of the New Year, the Namahage descend from the mountains and visit villages. They go from house to house brandishing their knives and demanding to know whether there are any badly behaved children. They particularly enjoy frightening small children and newly married women.

Despite their terrifying appearance and behavior, Namahage are not purely evil. They descend from the mountains as messengers of the gods, sent to warn and chastise people who have become lazy or wicked. Their frightening visits are therefore intended to encourage villagers to behave properly.

The name Namahage comes from one of the questions they traditionally ask: “Have your blisters peeled yet?” During the cold winter, people who spent too much time sitting close to the fireplace could develop heat blisters. Namomi was a regional term for these blisters, while hagu means “to peel.” The two words eventually combined to form Namahage.

Similar supernatural figures are known under different names in neighboring regions. In Yamagata Prefecture they are called Amahage, in Ishikawa Prefecture Amamehagi, and in Fukui Prefecture Appossha.


Sources

“Namahage.” Yokai.com: The Japanese Yokai Encyclopedia. Accessed September 9, 2026. https://yokai.com/namahage/