Plant

Petrykivka Mara

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Tradition / Region: Ukrainian Mythology
Alternate Names: Petrikov Mara
Category: Plant, Forest dweller

The Myth

The Petrykivka Mara is a strange and grotesque figure from the folklore of Eastern Polesia. Unlike many beings called mara in Slavic traditions—where the name usually refers to a dangerous or demonic entity—this mara is considered harmless, though deeply unsettling in appearance and presence.

She is described as resembling a thick, upright log or resinous stump, standing vertically on very short legs shaped like badger paws. Her body is massive and heavy-looking, while her legs are disproportionately small. She is always described as black in color. Though frightening to look at, she does not attack or harm people. At most, she startles children or causes confusion and fear, sometimes even becoming a hazard simply by standing in the way.

When the mara moves, she emits metallic sounds, compared to distant blows on a cast-iron cauldron. These noises announce her presence before she is fully seen. Despite her intimidating size, she is said to be terrified of children, reacting to them with fear rather than aggression.

In later times, the mara came to be represented as a straw scare figure, dressed in rags. In this form, she appears suddenly, stands motionless, or slowly follows people who are walking. She never commits any harmful act, but her presence is described as oppressive, filling those who encounter her with a heavy sadness, as if their heart were being clawed at and their soul weighed down.

One well-known story comes from the town of Petrikov, where during the summer months, at dawn each day, a mara appeared at the entrance to the town. She took the form of a log twice the height of a man, standing on short badger-like legs. She would remain motionless, moaning with a human voice, and vanish again at dawn. How the people eventually rid themselves of her is unknown.

The memory of this being lived on not only in stories but also in speech. A saying arose that later became a proverb. When someone is annoying or persistently clinging, people say:
“I’m tired of you like the Petrikov mara. Why are you clinging to me like the Petrikov mara? Get off me, Petrikov mara.”

In this way, the Petrykivka Mara remains in folklore as a figure of silent oppression and strange persistence, frightening not through violence, but through her unsettling presence alone.

Gallery

Sources

Bestiary.us contributors. (n.d.). Mara Petrikovskaya. In Bestiary.us, from https://www.bestiary.us/mara-petrikovskaya

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Coconut Ghost of Wutumara

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Tradition / Region: Papua New Guinea Mythology
Alternate Names: Wutumara
Category: Ghost, Coconut, Plant

The Myth

Wutumara was a woman of great force and determination, a culture heroine whose life became entwined with the world of spirits. She was married to a man who also took a second wife—a ghost from the underworld. This ghost-wife often visited, and each time she came, she drew the husband away from the human world for long stretches of time. Wutumara grew resentful and jealous, angered that her rival’s presence disrupted her household and marriage.

Seeking to resolve this, Wutumara persuaded her husband to bring the ghost-wife permanently into the world of the living, believing that if they all lived together, harmony might be restored. Secretly, however, Wutumara intended to murder the ghost, unaware that spirits cannot be killed in the way humans can.

She attacked her rival and left her body in the jungle. But the ghost was not destroyed. Instead, she returned in vengeance, using powerful magic. She exchanged the genitals of Wutumara and her husband, a transformation meant to humiliate and confuse, and then killed Wutumara. After this, the ghost transformed herself into a pubic hair growing on the husband’s groin, hiding in plain sight.

Eventually, the husband tricked the ghost into revealing herself and managed to destroy her. Yet even this was not the end. Shortly afterward, the ghost reappeared once more, transformed into a coconut palm. To this day, it is said that the face of the angry ghost can still be seen in the coconut, watching from within its shell.

Thus the coconut palm became a lasting reminder of jealousy, rivalry, and the persistence of spirits beyond death—a living monument to Wutumara’s tragic conflict with the unseen world.

Gallery

Sources

Landtman, G. (1970). The Kiwai Papuans of British New Guinea: A nature-born instance of Rousseau’s ideal community.

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Flower Spirits (Huā Yāo / Huā Xiān)

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Tradition / Region: Chinese Folklore
Alternate Names: Huā Yāo (花妖), Huā Xiān (花仙), Huā Jīng (花精)
Category: Plant Spirit / Flower Spirit

The Myth

In Chinese folklore, flowers are not lifeless plants but beings endowed with spirit and awareness. It is said that flowers which survive for a hundred years may awaken consciousness and become flower spirits. After a thousand years of cultivation, such beings may ascend further and become immortals. These spirits are known as Huā Yāo or Huā Jīng when their nature is closer to demons, and Huā Xiān when they attain a purer, immortal state.

Flower spirits often appear in human form, usually as young women of extraordinary beauty whose appearance reflects the flower from which they were born. Their lives are bound to the cycles of nature: blooming, fading, and renewal. Though rooted in the soil, they can walk, speak, love, and suffer like humans, while retaining a deep connection to their original plant form.

One of the most famous accounts appears in “Xiangyu” from Strange Tales from a Chinese Studio by Pu Songling of the Qing dynasty. In this story, a peony flower spirit forms a relationship with a scholar surnamed Huang. The spirit is gentle and affectionate, yet vulnerable to the forces of the human world, illness, and spiritual imbalance. Her existence demonstrates both the beauty and fragility of flower spirits, who live between nature and humanity.

Earlier sources trace the idea of flower spirits back to Taiping Guangji, where flowers transforming into conscious beings are recorded as marvels of the natural world. These stories present flower spirits not as monsters, but as manifestations of the living earth itself—natural entities capable of emotion, loyalty, and moral action.

Poetry further reinforces their presence in the cultural imagination. Writers of the Tang, Song, and Ming dynasties frequently invoked flower fairies as unseen guests descending among blossoms, dancing beneath moonlight or moving with the wind through gardens. Their arrival often marked moments when the boundary between the human world and the spirit realm grew thin.

Flower spirits were also associated with imbalance in nature. Historical records sometimes attributed strange winds, unseasonal darkness, or disturbances among flowers to the activity of flower demons, suggesting that when the harmony of earth was disrupted, these spirits manifested visibly.

Across all accounts, flower spirits remain bound to impermanence. If their flower is destroyed, neglected, or uprooted, the spirit weakens or dies. Their stories serve as reminders that beauty, life, and spirit arise from patience and time, and that nature itself is alive, observant, and capable of transformation.

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