Tradition: Japanese Mythology
Alternative Names: Kiuchi Sōgorō, Sōgo, Sakura Gimin
Category: Ghost

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The Myth

Sakura Sōgo was a village headman in the Sakura Domain of Shimōsa Province during the early Edo period. He became famous for defending farmers who suffered under the heavy taxes imposed by the ruling Hotta clan. After his attempts to secure tax relief failed, Sōgo decided to appeal directly to Shogun Tokugawa Ietsuna. Although such a petition offered the desperate farmers a chance of relief, it meant defying the domain lord and risking severe punishment.

Sōgo eventually presented his appeal to the shogun at Kan’ei-ji Temple in Ueno, Edo. He was arrested and handed over to the Hotta family, who condemned him to death. According to the legend, Sōgo was crucified alongside his wife, Osan, and their three children. Their deaths transformed the family’s suffering into a powerful tale of injustice and vengeance, with Sōgo remembered as a righteous man who sacrificed everything to protect the villagers.

After their execution, the ghosts of Sōgo and his family began haunting the Hotta household. They appeared in terrifying forms, sometimes carrying the wooden posts used in their execution, and tormented the domain lord and his attendants. Their supernatural attacks were said to bring illness, fear, and misfortune upon the ruling family, eventually contributing to the downfall of the Hotta clan. In theatrical depictions, Sōgo’s ghost emerged from different parts of a room while the faces of those present twisted into grotesque shapes. Other illustrations showed his bloodied spirit confronting the domain lord, with skeletal features visible through his body.

The story became famous through ghost tales, storytelling performances, and kabuki plays, particularly Higashiyama Sakura Sōshi. Later versions expanded the haunting to include Kōzen, a monk and relative of Sōgo who took his own life after learning that the children had also been executed. He became a vengeful spirit and joined the curse against the ruling family. Although the historical details of Sōgo’s life remain uncertain, his legend endures as a story of a wronged man whose spirit returns to punish those responsible for his family’s suffering.

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Sources

“桜宗護 (Sakura Sogo).” 新版TYZ 妖怪図鑑 (New TYZ Yokai Encyclopedia). https://tyz-yokai.blog.jp/archives/1066979229.html

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Tradition: Japanese Mythology
Alternative Names: Ayako, The Monk of Arashiyama Madly in Love
Category: Ghost

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The Myth

Ayako is a mysterious apparition from a Japanese ghost story set in the early sixteenth century. She was a beautiful seventeen-year-old woman, the daughter of a silk merchant in Kyoto, who fell in love with Sentarō, a young apprentice working in her father’s shop. Although Sentarō returned her affection, he initially suppressed his feelings out of gratitude to his master and fear that their difference in status would bring misfortune upon her. When he finally confessed his love, the merchant secretly arranged for Ayako to marry another man. On the night before the wedding, Ayako disappeared, leaving Sentarō a heartfelt letter promising that they might meet again.

Devastated by her disappearance, Sentarō abandoned his position, shaved his head, and became a Buddhist monk named Jōun. He withdrew to a ruined temple called Rengein, hidden in the mountains near the Hozu River. Although he devoted himself to religious practice, his obsession with Ayako never faded. One night, while calling out for her to visit him even if she were a ghost, a beautiful woman appeared before him. She wore only a purple cloth around her waist, with her long black hair falling loosely over her shoulders and chest. Her pale skin, bright eyes, and red lips made her appear more beautiful than ever. She claimed to be Ayako and told Jōun that she wished to become a nun, but when she entered the temple’s sealed hall, the doors closed behind her and she vanished.

Desperate to find her, Jōun battered his way through the temple’s many doors until he reached the innermost hall. There he found no Ayako, only an old mirror. In a fit of rage, he smashed it and discovered a statue of Kannon, the Buddhist bodhisattva of compassion, hidden beneath it. The statue wore a cloth around its waist and resembled the apparition he had seen. Convinced that the statue was Ayako herself, Jōun tore it from its pedestal and embraced it, keeping it beside him for two days before realizing that it was only wood. Overcome by despair, he decided to end his life.

Jōun climbed to a cliff above the Hozu River, confessed that he had defiled the sacred hall and its Buddhist statue, and declared that he would find Ayako in death. Clutching the statue of Kannon, he threw himself into the raging current. The following morning, a fisherman named Senzo cast his net into the river and discovered the bodies of the dead monk and the wooden statue. From a distance, the statue had appeared to be a naked woman, making the scene resemble the tragic reunion of two lovers in death.

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Sources

“綾子 (Ayako).” 新版TYZ 妖怪図鑑 (New TYZ Yokai Encyclopedia). https://tyz-yokai.blog.jp/archives/1074589144.html

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Tradition: Japanese Mythology
Alternative Names: 鑊身餓鬼, Cauldron-Bodied Hungry Ghost
Category: Ghost

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The Myth

Kakushin Gaki is one of the thirty-six types of hungry ghosts described in Buddhist teachings. It is a tormented spirit reborn into the realm of hungry ghosts because of greed and jealousy during its former life. Those who hoarded wealth out of insatiable avarice and slaughtered living creatures were said to be reborn as Kakushin Gaki, condemned to endure terrible suffering after death.

The creature has an enormous body, but its arms and legs are long and slender like the legs of a metal cooking cauldron. Its face has no eyes, leaving it without the ability to see. Its body is perpetually engulfed in flames, and it twists and writhes in agony as the fire burns it without respite.

Kakushin Gaki appears among the tormented spirits depicted in the Gaki-dō Katsu-gaku no Zu, an illustration of the suffering of hungry ghosts preserved at Shōjū Raigōji Temple in Ōtsu, Shiga Prefecture. In the painting, the creature writhes in flames on an island, its distorted body displaying the relentless punishment endured by those condemned to the hungry ghost realm.

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Sources

“隠身餓鬼 (Kakushin Gaki).” 新版TYZ 妖怪図鑑 (New TYZ Yokai Encyclopedia). https://tyz-yokai.blog.jp/archives/1010655140.html

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Tradition: Japanese Mythology
Alternative Names: 中有, Chūin, Intermediate Existence
Category: Ghost

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The Myth

Chūu refers to the intermediate state between death in the present world and rebirth into the next life. In Japanese Buddhist belief, this period lasts forty-nine days, during which the deceased’s spirit is believed to travel between the world of the living and the world of the dead. This wandering period is sometimes called the journey of Chūu.

During these forty-nine days, the deceased undergoes a series of judgments by the Ten Kings of the underworld. From King Shinkō through King Taizan, these judges pass judgment on the dead, with King Enma confronting the deceased on the thirty-fifth day. Buddhist memorial services are traditionally held every seven days, from the seventh day after death until the forty-ninth day, when the intermediate period ends.

In the Japanese illustrated scroll Hyakuyōzu, a strange ghostlike creature is named Chūu. It stands among bushes with its face concealed and clutches a sotoba, a wooden memorial tablet used in Buddhist funerary rites. Its hidden face and funerary object evoke the image of a spirit lingering between the world of the living and the afterlife, unable to complete its journey.

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Sources

. “中有 (Chūu).” 新版TYZ 妖怪図鑑 (New TYZ Yokai Encyclopedia). https://tyz-yokai.blog.jp/archives/1010655125.html

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Tradition: Japanese Mythology
Alternative Names: ママオッカ
Category: Ghost

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The Myth

Mamaokka is a terrifying supernatural being said to appear in Sakura, Chiba Prefecture, Japan. According to local belief, an empty winnowing machine could summon this frightening creature when someone turned its mechanism without any grain inside. Mamaokka was described as a terrifying presence or an ogre that emerged in response to this unusual act.

The winnowing machine, known as a tōmi, was a box-shaped agricultural tool used to separate grain from husks and pieces of straw. Turning its internal wheel created a current of air that blew away the lighter waste while the heavier grains fell through a funnel. The belief that operating an empty machine could summon Mamaokka transformed an ordinary farming tool into a source of supernatural fear.

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Sources

“ママオッカ (Mamaokka).” 新版TYZ 妖怪図鑑 (New TYZ Yokai Encyclopedia). https://tyz-yokai.blog.jp/archives/1010654452.html

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Tradition: Japanese Mythology
Alternative Names: Rui, Myōrin Shinnyo
Category: Ghost

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The Myth

Kasane is a vengeful female ghost associated with the village of Hanyu in Shimōsa Province, in present-day Ibaraki Prefecture. Her story begins with Rui, a woman who was murdered by her husband, Yoemon. Although Rui was deeply disliked for her appearance and temperament, she had inherited valuable farmland, which led the impoverished Yoemon to marry her. Eventually, he decided to kill her so that he could take another wife and keep her property. He pushed Rui into the Kinugawa River, trampled on her chest, forced sand into her mouth, injured her eyes, and strangled her. A man named Seiemon witnessed the murder but remained silent. Yoemon then concealed the crime by claiming that Rui had died suddenly and arranged for her burial under the Buddhist name Myōrin Shinnyo.

Yoemon remarried, but his successive wives died, and his sixth wife eventually gave birth to a daughter named Kiku. When Kiku was fourteen and newly married to Kingorō, Rui’s spirit began possessing her. Kiku collapsed, foaming at the mouth and crying out in pain, before speaking in Rui’s voice and revealing the truth about the murder. Rui explained that she had returned to take revenge on Yoemon and that her resentment had damaged his crops by turning into insects. She also described the suffering of the dead and the torments of hell. Although Yoemon eventually confessed and entered the Buddhist order, his lack of genuine repentance did not end the possession. Kiku continued to suffer until a Buddhist ceremony was performed at Hōzōji Temple, causing Rui’s spirit to disappear temporarily.

During the possession, Kiku described Rui as a terrifying old woman with dark skin, one rotten eye, a wrinkled nose, a wide mouth, and a face marked by smallpox. Her hands were twisted, and one leg was shorter than the other. Yet Rui’s departure did not bring lasting peace. She returned repeatedly, demanding that a stone Buddha be erected and that further prayers be performed. She also revealed the alleged sins of villagers and described the fates of their ancestors, frightening everyone who heard her.

Eventually, the monk Yūten arrived with other monks to free Kiku from the spirit. Their prayers initially failed, and Rui refused to leave Kiku’s body. Yūten finally ordered Kiku to chant the Buddhist invocation herself, despite her fear that Rui would prevent her from doing so. As Kiku chanted, Rui gradually retreated from her chest toward her hand before vanishing. However, the haunting was not truly over: Rui’s spirit later possessed Kiku again, continuing the cycle of suffering and revenge.

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Sources

“累 (Kasane).” 新版TYZ 妖怪図鑑 (New TYZ Yokai Encyclopedia). https://tyz-yokai.blog.jp/archives/1010654426.html

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Tradition: Japanese Mythology
Alternative Names: 白うかり, Shiro-ukari
Category: Ghost

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The Myth

Shiroukari is a strange yokai depicted in certain Japanese illustrated scrolls of supernatural creatures. As its name suggests, it has a completely white body. Its torso is long and slender, giving it an unusual, elongated appearance. It also possesses a beard and hair growing beneath its arms, distinguishing its body from that of an ordinary human.

Shiroukari appears in the Hyakki Yagyō Emaki, an illustrated scroll of supernatural beings created by Oda Yoshikiyo in 1832 and preserved in the Matsui Collection in Kumamoto Prefecture. The scroll depicts 58 different yokai, including several that are unnamed. Shiroukari is one of the unusual creatures whose appearance survives through these illustrated depictions, but no further details about its origins, behavior, or supernatural abilities are recorded.

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Sources

“白浮 (Shiro-Ukari).” 新版TYZ 妖怪図鑑 (New TYZ Yokai Encyclopedia). https://tyz-yokai.blog.jp/archives/1010654406.html

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Tradition: Japanese Mythology
Alternative Names: 面白, Omoshiroshi
Category: Ghost

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The Myth

Omoshiroshi is a strange supernatural being depicted as a ghostly figure with only its upper body visible. It wears a white burial kimono, known as a shiro-muku, and has a completely white face without eyes, a nose, or any other facial features. Its blank, featureless head gives it an eerie and unsettling appearance.

Omoshiroshi appears in the Kaidō Zukan, an illustrated scroll of supernatural creatures painted by Miyagawa Shunsui during the middle of Japan’s Edo period. The surviving depiction shows only the creature’s upper body, dressed entirely in white, with its smooth face lacking any recognizable human features. No further details about its behavior, origins, or supernatural abilities are recorded.

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Sources

. “おもしろし (Omoshiroshi).” 新版TYZ 妖怪図鑑 (New TYZ Yokai Encyclopedia). https://tyz-yokai.blog.jp/archives/1010654296.html

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